I've blogged in some form or another since around 2000—long before there were any viable blogging engines or platforms out there. From personal blogging to the Key 23 days right on up to Codepunk, I've used blogging as a consistent outlet for ideas, thoughts, etc.
At the end of Neuromancer, the Wintermute artificial intelligence (with the help of Henry Case and Molly Millions) broke down the firewall preventing Wintermute from reaching the other artificial intelligence—the namesake of the book... Neuromancer.
Some of you might be wondering where the original Codepunk podcast is. There was a lot of talk about building a Codepunk space in virtual reality (using Facebook Horizon... or Meta Horizon... or whatever it's called now)...
I'm going to do something a little different with this Apotheosis entry. Recently, I picked up a few books on cyberpunk, and once again Max Headroom found his way into the conversation, so I thought it would be fun to do a readout of the Max Headroom essay I wrote a while back.
The story of the Russian Internet is a story that reaches as far back as early dissendent papers and the birth of telecoms in the region. It's an interwoven story of the control of information from paper to sound waves to Internet packets aimed at philosophy, conspiracy, and journalism.
I'm happy to see this entry for Apotheosis—not just because it's the 10th entry, but because it wraps up the Mondo 2000 3-parter, which followed on the heels of the Boing Boing 3-parter. Revisiting both publications/communities just reminds me too much about how the edgier (experimental would be a more appropriate term) aspects of cyberculture quickly fell to commercialism, leaving those in the community stranded.